🎬 Films & Documentaries|紀錄片與電影
Related: ✊ Faces of the Crackdown | 📕 Book Censorship under the NSL | 🎵 Glory to Hong Kong | 🕯️ Tiananmen Vigil
Some of the fullest records of Hong Kong's decade of dissent are not documents but films — shot on the front lines of 2019, dramatised from its memories, or imagined a decade ahead. Many of them can no longer be shown in the city they portray. A 2021 amendment to the Film Censorship Ordinance empowered censors to ban any film "contrary to the interests of national security," and to revoke the approval of films already passed — the moving-image counterpart to the criminalisation of books. The result is a body of work preserved and screened everywhere except home. This page gathers it, with each film's trailer and, where possible, where it can still be seen.
A note on the clips below: these are the films' official trailers (and, for Do Not Split, the full film) as published by their makers and distributors. Where a film was released free by its creators, we point to that; otherwise we link where it can be bought or streamed.
Ten Years (十年, 2015) — the warning
Where this story arguably begins. Ten Years is a speculative anthology of five short films — by directors Ng Ka-leung, Jevons Au, Chow Kwun-wai, Kwok Zune and Wong Fei-pang — imagining Hong Kong in 2025: Mandarin displacing Cantonese, youth "guards" policing bookshops, a self-immolation outside the British consulate. Made for about HK$500,000, it became a surprise hit — outdrawing Star Wars at one Yau Ma Tei cinema — and won Best Film at the 35th Hong Kong Film Awards (2016). Beijing's response was a preview of what came later: mainland outlets were ordered to condemn or ignore it, and state television did not broadcast the awards ceremony for the first time in decades. Its cinema run was quietly curtailed at home. Ten years on, much of what it imagined has arrived. (IMDb)
The 2019 uprising on film
Cockroach (2020)
Dissident artist Ai Weiwei's 93-minute documentary — its title the slur ("曱甴", gaat zaat, cockroach) that police and pro-Beijing media hurled at protesters, reclaimed — assembles front-line footage of the 2019 movement from its peaceful marches to the siege of Polytechnic University. Directed by Ai from exile in Europe using material gathered on the ground, it was released internationally on video-on-demand (Vimeo, MUBI, Alamo) in December 2020 and, like the others here, has had no Hong Kong release. (IMDb · Vimeo On Demand)
Do Not Split (2020)
Norwegian director Anders Hammer's 35-minute front-line short for Field of Vision — teargas, water cannon, the siege months — earned a 2021 Academy Award nomination for Best Documentary Short. The nomination alone was enough for Beijing to order mainland broadcasters not to carry the Oscars live. Field of Vision released the film free online, so it remains one of the most-watched records of 2019. (IMDb)
Inside the Red Brick Wall (理大圍城, 2020)
An 88-minute account of the November 2019 siege of Hong Kong Polytechnic University, shot from inside the campus by an anonymous collective calling itself Hong Kong Documentary Filmmakers (with a companion film, Taking Back the Legislature, on the 1 July 2019 storming of the legislature). Distributed by Ying e Chi, its Hong Kong screenings were cancelled and disrupted in 2020, and after the 2021 censorship amendment it became effectively unshowable in the city; it circulates through international festivals and distributors instead. It won Best Editing at IDFA. (IMDb: Inside the Red Brick Wall · Taking Back the Legislature)
Revolution of Our Times (時代革命, 2021)
Director Kiwi Chow's 152-minute chronicle of the movement — the marquee protest documentary. It was slipped into the 2021 Cannes line-up as a last-minute, unannounced world premiere to avoid a diplomatic reaction, and won Best Documentary at Taiwan's Golden Horse Awards. To protect himself, Chow sold the rights abroad and destroyed his own footage; the film has never been shown in Hong Kong and its title — the 2019 protest slogan — is itself now treated as seditious. (IMDb)
Blue Island (憂鬱之島, 2022)
Chan Tze-woon's 97-minute hybrid documentary has protesters of 2019 re-enact the flights and imprisonments of an earlier generation — 1967 leftists, Cultural Revolution swimmers, the 1989 exiles — braiding decades of Hong Kong upheaval together. It won Best Feature Documentary at Hot Docs 2022 and screens internationally rather than at home. (IMDb)
Faceless (2021)
Journalist Jennifer Ngo's debut follows four anonymous participants — "the Student," "the Artist," "the Believer," "the Daughter" — through the anti-extradition movement, the masks a reminder of the cost of being seen. Distributed by Dogwoof. (IMDb)
May You Stay Forever Young (少年, 2021)
Not a documentary but a dramatisation — directors Rex Ren and Lam Sum restage a real effort by protesters, volunteers and a social worker to find and stop a teenager from taking her own life during the 2019 unrest. Denied release in Hong Kong, it premiered at Golden Horse, where it won the NETPAC award. (IMDb)
Portraits
- Joshua: Teenager vs. Superpower (2017, dir. Joe Piscatella) — the Netflix documentary on Joshua Wong's student years, still streamable in Hong Kong but, as of September 2026, under Security Bureau "follow-up action" for national-security compliance — the censorship drive reaching an international platform (Netflix · IMDb).
- Lost in the Fumes (地厚天高, 2017, dir. Nora Lam) — a portrait of localist leader Edward Leung, whose slogan gave Revolution of Our Times its name. (IMDb)
- The Hongkonger: Jimmy Lai's Extraordinary Struggle for Freedom (2022, Acton Institute) — on the jailed Apple Daily founder Jimmy Lai. (IMDb)
Filmography
Each title links to its IMDb page.
| Film | Year | Director(s) | Subject | Hong Kong status |
|---|---|---|---|---|
| Ten Years 十年 | 2015 | Ng Ka-leung & others | Dystopian HK, 2025 | Curtailed at home |
| Raise the Umbrellas | 2016 | Evans Chan | The 2014 Umbrella Movement | Independent/festival |
| Joshua: Teenager vs. Superpower | 2017 | Joe Piscatella | Joshua Wong / Scholarism | On Netflix; under review (2026) |
| Lost in the Fumes 地厚天高 | 2017 | Nora Lam | Edward Leung | Independent/festival |
| Taking Back the Legislature 佔領立法會 | 2020 | HK Documentary Filmmakers | 1 July 2019 LegCo storming | Effectively unshowable in HK |
| Inside the Red Brick Wall 理大圍城 | 2020 | HK Documentary Filmmakers | PolyU siege, Nov 2019 | Effectively unshowable in HK |
| Do Not Split | 2020 | Anders Hammer | 2019 protests (Oscar-nom short) | Free online; not in HK cinemas |
| Cockroach | 2020 | Ai Weiwei | The 2019 protests | International VOD; not in HK |
| Revolution of Our Times 時代革命 | 2021 | Kiwi Chow | The 2019–20 movement | Banned; never shown in HK |
| May You Stay Forever Young 少年 | 2021 | Rex Ren, Lam Sum | 2019 protests (drama) | Denied HK release |
| Faceless | 2021 | Jennifer Ngo | Four anonymous protesters | International (Dogwoof) |
| Blue Island 憂鬱之島 | 2022 | Chan Tze-woon | Generations of HK dissent | International only |
| The Hongkonger | 2022 | Acton Institute | Jimmy Lai | International only |
Preserve the record
If you have festival programmes, posters, subtitle files, press kits or recordings of screenings of these or other Hong Kong protest films — especially ones now hard to see — or know of a film missing here, please help add it: see Participation. Films can be banned from a territory but, once shared, are very hard to erase.
Sources
- Variety: '10 Years' crowned at Hong Kong Film Awards (2016)
- Deadline: Cannes quietly world-premieres 'Revolution of Our Times' (2021)
- Variety: Taiwan Documentary Festival opens with 'Inside the Red Brick Wall' (2021)
- Variety: 'Do Not Split' director on China's reaction to the Oscar nod (2021)
- Wikipedia: Blue Island (2022 film) · May You Stay Forever Young · Lost in the Fumes
- Dim Sum Daily: Security Bureau reviewing Netflix film on Joshua Wong (15 Sept 2026)
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